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Out of the films we’ve viewed by Jim Jarmusch and Spike Lee, what films best rep
Out of the films we’ve viewed by Jim Jarmusch and Spike Lee, what films best represent their auteurship and why? Please utilize the formal elements of film–mise-en-scéne, cinematography, sound, etc., with examples of scenes and sequences from the films to support your claims.
Questions to consider as you perform your analysis (you do not have to answer these questions directly in your response):
What character tropes are recurring across the director’s body of work?
What themes are you able to identify across the director’s body of work?
Are there specific camera moves or camera angles the director employs consistently across his body of work?
In the director’s films, is there recurring subject matter or plots?
Spike Lee’s films: She’s Gotta Have It, Malcolm X, Mo Better Blues, Crooklyn, Jungle Fever, School Daze, Do the Right Thing
Jim Jarmusch’s films: Stranger Than Paradise, Down By Law, Night On Earth, Mystery Train, Dead Man, Ghost Dog: Way of the Samurai
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